November 18, 2011
A recent visit to the London Show Rooms to view the designers’ Spring 2012 collections reminded me of the boldness, originality, and oftentimes lunatic charm that I find lacking in New York’s more sober, commercial fashion scene. “So bad it’s good” was a recurring theme among my picks, and depending on your degree of risk-aversion—once-in-a-while or once-and-for-all—it’s mighty fun to break the rules.
So wrong it’s right: studs, tattoo prints, and a huge “ELVIS” sign seemingly DIY-sewed on to the back of a faux-denim knit jacket sound like a recipe for chaos, but with summer blacks and beat-up black lace-ups, I think this Sibling jacket could be next season’s beautiful disaster.
Cozette McCreery, in a Sister by Sibling neon leopard-print sweater, holds up the jacket to show the circus-font “YES” on one sleeve and the tattoo prints on the other.
The time for leopard print (at least in my world) has passed, but the mirage-like quality of the digital cheetah and tiger prints on this Katie Eary silk shirt is enthralling. With the gold buttons, and the peek-a-boo detail right under the collar, tucked into sharp navy trousers, this would be perfect for hosting a summer soiree.
Katie Eary’s eagle-headed cheetahs are as absurd as they are beautiful.
exaggerated epaulettes by Katie Eary
Lou Dalton‘s inspiration was the miners strike in the UK during the 80s and the Pitman Painters, livened up by the idea of the swan and the duckling, and it was fascinating to see how clearly this inspiration was translated into her clothes.
These fully-lined white denim bermuda shorts by Lou Dalton are carefully hand-frayed all over to resemble feathers.
This Lou Dalton Swarovski crystal-encrusted chain mail cummerbund/apron is regal, warriorlike, and gentlemanly all at the same time.
Lace panels bring a subtle gentleness to this easy white t-shirt.
photographs taken at the London Showrooms in NYC