Posts Tagged ‘feature’
November 9, 2014
I’ve decided that my look for this fall would be “cool university professor’s young dad son”–a look that I thought would be best topped off with the Seiko Astron GPS Solar watch sponsored by the lovely people at Socialstars #AstronElite. I’m not getting any younger, I’m even graying, and I find myself drawn to things that are less weird, and less overtly slick. There is something sexy about looking like you could provide for a small family, change diapers, and manage to pull yourself together with quiet elegance: it’s a skill that young Williamsburg dads, my muses of the moment, seem to have down pat. This fall, I’m going to read a lot, and write poetry; you’ll find me dressed in khakis and dad jeans, big knits with funnel necks, and an air of maturity that I hope to catch up on in real life.
Stephan Schneider scarf, Barbour International Jacket, Seiko Astron watch, COS sweater and khakis, Church’s socks, Number (N)ine shoes
The Seiko Astron, a cool, quiet, complicated watch, uses GPS signals to identify the time zone, time and date data, and is powered by all types of light.
Number (N)ine creepers
photos by BJ Pascual
October 6, 2014
I paid a visit to the Title of Work showroom, where designer Jonathan Meizler showed me his art, and took me through an extensive selection of accessories that I could only describe as gentlemen’s couture. Ties are beaded and embellished with silver and rough diamonds, bowties covered in tulle and fringed with chains. His aesthetic gravitates towards the darkly esoteric, and lends itself well to the little accoutrements that add interest to man’s look. Fall/Winter 2014 is all about beauty in decay: holes burnt through a tulle overlay and outlined with beads, embellishments of dried flowers, old men, and shots of deep blood red.
Title of Work’s tie couture: red silk tie with burnt and beaded tulle overlay, black silk tie fully covered with matte black glass bead fringe, black silk charmeuse tie with dried flowers under beaded tulle overlay
a few subtler ties
miniature beadwork and a hand-embroidered wave pattern
bow ties covered in chains, loose beads, dead flowers, among many other things
an art piece by Jonathan Meizler, ties on dissecting trays
photomosaic of an elderly man, on a silk scarf
September 22, 2014
I’ve had a rough summer—sleeping in many different cities and eventually coming home to the toughest of them all; work and play, and the blurry lines in between; projects, people, and promises lost and found—I am looking forward to the cozy, good and faithful feeling of fall. Elsa Schiaparelli once said, “In difficult times fashion is always outrageous.” I suppose I am going against fashion this time, favoring classic men’s pieces, perhaps still with little offbeat touches here and there but all very luxe, soft, and subdued. I’m veering away from the camp severity I used to be fond of in my younger years, and I find myself dressing more for me than for an audience. Here are a few things I’ll be wearing.
Bottega Veneta intrecciato document case in Ardoise, a dark gray somewhere between charcoal and black, what I’d dub as a glorious “soft black.”
The military detailing and the angry little puppy on the sleeve can be quite misleading, this vintage unlined Yohji Yamamoto Pour Homme coat fits like a snuggie.
These AG Jeans in the Matchbox fit are great basics and are the softest black jeans I own, and the pinstriped Yohji Yamamoto tuxedo pants are comfy and cropped– just the right amount of weird.
custom black fox stole, wore high on the neck as a scarf, with boxy sweaters or sweeping high-necked jackets
Marsell mules in washed leather, also in a soft black shade, to be worn with soft, nubby socks in the colors of fall
June 24, 2014
This time, I landed in Paris without a list of off-the-beaten-path restaurants, bars, and boutiques to check out—I had no plans, let alone a shopping list; I explored the city under my feet. “I’d love to live in Paris for a year,” was something I would always say with great fervor, tempered with fear. By now, I’d gone on quite a number of dates with Paris, and with familiarity, and my guard down, I love the city even more. I took long lunches, and played favorites with restaurants; took my time at boutiques, and made friends with sales associates. I also visited Versailles for the first time, and not just because Kimye. I had a grand time in Paris, and I hope to spend more time there. Friends– my Paris photo diary, in digital and film.
Assembly New York t-shirt, Yohji Yamamoto jacket
Yohji Yamamoto jacket and pants, Issey Miyake shirt
Serge Lutens boutique
fresh off the plane
Yohji Yamamoto jacket and pants, Kennington Hawaiian shirt
around the corner from Hermes
Bread and Roses, Bread and Roses, you’re my favorite restaurant
April 8, 2014
You are probably aware of my affinity for signet rings—I wear them in threes, paved with diamonds, and etched with bow ties. But this is one I’ve never seen before: Stephen Einhorn makes a signet with a slight swelling in the ring shank that can be engraved or set with a stone. It is a beautiful, substantially weighty piece that I’ve been wearing with my grandfather’s old steel and gold and diamond watch these past few days. It is an article of classic men’s jewelry that anchors my bedazzled watch, and many other things, with the warm gleam of silver.
double signet ring in silver by Stephen Einhorn
The ridges on the side are a little touch of the organic; nature is the designer’s most favorite inspiration.
The lovely folks at Stephen Einhorn put together a video that tells the story of their atelier and shows the making of a very special ring. Check it out here.
February 24, 2014
I keep coming back to Manila, as the song goes, and not just because it’s where I’m from. Every time I’m there, I see my notoriously unprogressive hometown flickering with inspiration, new talent, and wonderful things to do. It is catching up with the rest of the world in art, music, and in this Internet-only age, well, all the cool kids dress just as cute as their counterparts around the world. I often get asked what it’s like back there, and it is indeed Crazytown–a place best explored with a trusted local, food is cheap and good, gems can be found all over the cacophonously slow-moving city, and it’s a stone’s throw away from Hong Kong, should the shopping disappoint. But the people–impossibly talented, pleasant, and naturally beautiful, we Filipinos, well, we are just fucking awesome.
Orange is not the new black.
the Greenhills cellphone bazaar
Reformation and black-tie vintage Yohji Yamamoto
society sea-princess Tessa Prieto-Valdes
a backwards men’s pajama concoction on the inimitable Jo Ann Bitagcol
Rajo, Ruffa, and other masked menaces
“Signs of the Times,” a piece made of cut-out newsprint, at architect Sarah Canlas’ abode
“One Day I’ll Be Everything,” by Mich Dulce
sheer shirt of my own design, Damir Doma pants, Birkenstocks, Givenchy clutch
fiesta at Black Market
Kimono from EPCOT Center, AG Jeans, Nike Air Max sneakers
To a Queens-themed party we threw, I came as the Queens Botanical Garden and she came as Fran Fine. Little did we know, they wore the same print.
Anna and Diego
talented new designer Carl Jan Cruz in the most beautiful light pique top–to be worn with silver shorts in the summer
stylist Patrick Galang can dance
patron of the props
January 9, 2014
Autoctona’s Alessandra Murgia is one of my favorite contemporary jewelry designers. Her sense of restraint and the discipline she puts into the design and fabrication of her pieces is what sets the line apart. I sat with the Portland-based designer and shared a cup of tea with her while gushing over my new favorite piece: her wood and silver “spikes”—somewhat reminiscent of fake gauges and somehow chic and caveman-like, so esoterically minimalist.
Autoctona wood and silver spike earrings
The Dandy Project: Tell me about your line, your philosophy, your influences, and inspirations.
Alessandra Murgia: I set out to create wearables that enable a deeper relationship between the individual and the piece. I want to challenge the conventional idea of what an accessory or a piece of clothing should be and how it should be worn. Forward thinking objects, with an intrinsic sense of modernity. Impeccably crafted, companions for life. My inspiration always comes down to be a formula of archaic and futuristic references. It’s a balance of opposites. It mirrors my actual life, I was brought up in a very old and traditional culture but for the past 15 years I chose to experience some of the most modern and vibrant places in the world.
Autoctona silver stud earrings with extended cylindrical backing
TDP: What type of man do you have in mind when you design your men’s pieces?
AM: I envision a man with a taste for the essential and a meaningful approach to modern style. He has to crave newness and uniqueness. I see Autoctona pieces as tools to express character and personality, that’s the reason why multipurpose objects like Linea or the Bolos are created. They offer a diverse range of interactions and possibilities for the wearer.
Autoctona sliced stack ring
TDP: Tell me about the relevance of the notion of “unisex” today.
AM: I don’t have much affinity with the traditional notions of femininity and masculinity portrayed by the established fashion industry. It has to do with a sense of contemporaneity which neither of those notions offers anymore. My interest is in designing meaningful objects rather than creating a product for either men or women. It’s also a direct consequence of how we live and how those traditional roles of men and women are now blended. I think there is a real desire to express feelings like fragility and ambiguity in men’s dressing and power and strength in women’s.
Auctoctona knuckle rings in silver and brass
TDP: One of the things I love about Autoctona is the restraint and discipline that you place in the design and fabrication of your pieces. Tell me how this comes into play and how important it is in your creation.
AM: It is at the core of our philosophy. It’s about exploring possibilities, utilizations and form of a shape. For instance, the cylindrical shape for our tips, now translated in three different sizes, transformed into a mechanism for the Linea clasp and into an object itself in the Studs selection. It’s about creating signature shapes and continuously renewing them through usage, color and texture. Color and materials are incredibly important. We have now developed our core colors and fades for the nylon palette, and with the introduction of marble our range of materials includes now stone, metal, fabric and wood. But they are in a way elements that serve the creation of the same formula of clean geometry, esoterica references and interplay of textures and colors.
Autoctona rings in marble and silver, from the new collection
TDP: Any exciting plans for Autoctona moving forward?
AM: Yes, I’ve been looking into expanding our range the past year. Autoctona will finally launch a line of companions, including scarves and small leather goods, in 2014. It’s amazing to see our aesthetic applied to a completely new territory. We have just shipped our first capsule collection designed for the Frye Art Museum in Seattle. It was a very special project since day one; I’m very proud of the three objects created. In addition to our custom work with private clients, we also consultancy services, and I’m very excited to see what this new territory will bring.
Autoctona’s Alessandra Murgia and her wood and silver spike earring, photographs c/o Autoctona
January 7, 2014
If I had been Internet-quiet for the past few weeks, it is because I’ve found myself highly involved in that entanglement of friends and family and flights and food called the holidaze. It feels as if I’ve been working in the kitchen part-time since Thanksgiving and the thought of having to stand in front of another mirror to shellack my hair for thirty minutes already makes my head hurt. Somewhere in between Brooklyn, my trip home to Manila, and a little Seoul Cycle are the things I’ve been up to, things I’ve worn, eaten, things that have inspired me, people I’ve hugged and kissed and danced with, all on 35mm film.
view from The Cloisters
Givenchy porn, on Mona Al-Shaalan
Sultan of The Jane
part-time dandy, in Number (N)ine and Allen Edmonds x The Dandy Project shoes
faux fur, real gems by Lanero
those skirted chandeliers
in Yohji Yamamoto and Timberlands
Korean Corso Como
Issey Miyake jersey drop-crotch trousers, woolly socks, and all-black Chucks
New Balance treadmill installation at the aA Design Museum Cafe
Ann Demeulemeester brocade jacket, pin by Old Hollywood
balloons like grapes
December 22, 2013
If you follow @thedandyproject on Instagram, you will notice that I am having a bit of an urban phase: Timbs, jersey tops, and touches of athletic wear. I’d say it’s an unlikely yet natural progression; the voluminous Yohji bottoms I own and my penchant for wearing diamonds in the daytime translate quite seamlessly into a look of hip-hop inspirations. Conversely, I would go so boldly as to say that urban wear is having a bit of a thedandyproject phase, with many of its moguls sporting sharp tailoring, clean lines, and lots of black. These shoes, both in Timberland tan, worn with big coats, bomber jackets, boxy sweatshirts, skinnies in waxed black and “dad” denim, and baggy bottoms, have been in heavy rotation.
tan Timberland boots and Nike x Undercover Gyakusou Lunarglides
Timberland classic 6-inch boots in tan nubuck
Nike x Undercover Gyakusou Lunarglides
November 4, 2013
LPD is one of New York’s most exciting new labels, currently stocked at Net-a-Porter, Lane Crawford, and the tongue-in-cheek VFiles, and I am really enjoying watching the brand grow from its famed t-shirts and jerseys that pay tribute to fashion’s greats, with their names and years of birth printed on the back like football uniforms. What a novel idea, I thought, and of all of today’s fashion parody t-shirts, I find these the most elegant. Ben Fainlight, the designer behind LPD New York, invited me over for a re-see after fashion week, walked me through the line, and showed me a few of next season’s new pieces, a couple of which I’m already crushing on.
A “team Yamamoto” shirt in extra-large, to be worn with flowy culottes in the summer or voluminous hakama pants in the winter.
an ode to the old Margiela, in Margielic white-on-white
With a drawstring waist, pockets (!), and buttery leather, this kilt beats basketball shorts in the summer and works great layered over pants in the colder months.
A minimally detailed scrub top in coated cotton is a fashionable take on the familiar medical top rendered in a subtly edgy thicker material.